Rosa Passos is one of the few singers currently in Brazil dedicated to a genuine evolution of Brazilian music, devoid of fashionable trend and commercialism. She has established herself firmly in the country's artistic scenery, acknowledged by many such as Jo?o Gilberto, Maria Schneider, Clare Fisher, Paquito d'Rivera, Johnny Alf, Nana Caymmi (who recorded two of her compositions), and even the number one enemy of bossa nova, the fundamental music researcher J.R. Tinhor?o, even if she hasn't had her deserved media exposure. \r \r Her dad was very affectionate about music, and he had all his six children started on some instrument. Her perfect pitch capabilities helped her to approach successfully the piano at age three. At 11, she listened to Jo?o Gilberto's Orfeu do Carnaval, which changed radically her life. She abandoned the piano studies and decided to be a singer. She began to listen to Gilberto compulsively, and learned the viol?o through his playing in the records. Her other influences were Ella Fitzgerald, Nina Simone, Etta James, Billie Holiday, Dinah Washington, Shirley Horn (who has declared to be her fan), Cole Porter, and George Gershwin, but her main influences remained Dorival Caymmi and Jo?o Gilberto.